Skip to main content Skip to main navigation menu Skip to site footer

Vol. 10 No. 3 (2024): Special Issue: Screen Shots

View Vol. 10 No. 3 (2024): Special Issue: Screen Shots

DOI: https://doi.org/10.25602/GOLD.bjmh.v10i3

Published: 2024-11-08

Full Issue

BJMH 10,3

Editorial

Editorial

Sam Edwards, Andrew Sanders

1
- BJMH 10,3 Editorial

Articles

Introduction: Screen Shots – Representing War and Conflict on Screen

Laura Aguiar, Emma Hanna

2-5
- BJMH 10,3 A1
By The Sword Divided: The English Civil War as Sunday-Night Television Drama

Sarah Betts

6-30
- BJMH 10,3 A2
‘I Came Up Here to Build a Bridge’: Capitalism and the Representation of Military Leadership in Zulu (1964)

Will Kitchen

31-49
- BJMH 10,3 A3
Landscape and emotion in modern First World War cinema: Representations of the British soldier in nature

Bethany Wyatt

50-68
- BJMH 10,3 A4
Killing to commemorate, dying to remember? Authenticity and the practice of memory in Isonzo

Chris Kempshall, Vanda Wilcox

69-90
- BJMH 10,3 A5
‘Not a Hero Story’: Challenging Concepts of ‘Heroes’ and ‘Villains’ in Historical Conflicts through Video Games

Alastair Binns

91-111
- BJMH 10,3 A6
Camera technology, its limitations and its impact on the work of the Army Film and Photographic Unit, 1941-1945

Oliver Carter-Wakefield

112-133
- BJMH 10,3 A7
What the Sea Remembers; What the Films of Midway Forget

Debra Ramsay

134-153
- BJMH 10,3 A8
‘Stop and Search’: How the Militarised Space of Belfast’s Past is Navigated by Feminist Film-makers

Elspeth Vischer

154-169
- BJMH 10,3 A9
‘Do you feel like a hero yet?’: Spec Ops, Call of Duty and the Problems of Playing Soldier

Ben Hammond

170-190
- BJMH 10,3 A10
The virtual and the real; war films, video games and the Imperial War Museum

Ian Kikuchi

191-212
- BJMH 10,3 A11